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Saturday, October 29, 2011

All about Graphite and Diamonds



Diamond and Graphite

Graphite and diamond are two of the most interesting minerals. They are identical chemically—both are composed of carbon (C), but physically, they are very different. Minerals which have the same chemistry but different crystal structures are called polymorphs.
When you look at graphite and diamond, it is hard to imagine that they are identical chemically, for they are so different physically. Graphite is opaque and metallic- to earthy-looking, while diamonds are transparent and brilliant. (See examples on display.)
Another important physical difference is their hardness. The hardness of minerals is compared using the Mohs Hardness Scale, a relative scale numbered 1 (softest) to 10 (hardest). Graphite is very soft and has a hardness of 1 to 2 on this scale. Diamonds are the hardest known natural substance and have a hardness of 10. No other naturally occurring substance has a hardness of 10. The crystal structure of graphite yields physical properties that permit the use of graphite as a lubricant and as pencil lead. The gem and industrial properties of diamond, physical properties that we cherish and exploit, are also a result of diamond's crystal structure.
The reason for the differences in hardness and other physical properties can be explained with the molecular models below. In graphite, the individual carbon atoms link up to form sheets of carbon atoms. Each sheet of carbon atoms is translated (offset) by one-half of a unit such that alternate sheets are in the same position. Within each sheet every carbon atom is bonded to three adjacent carbon atoms that lie at the apices of equilateral triangles. This produces hexagonal rings of carbon atoms. Each carbon atom has four valence electrons available to participate in the formation of chemical bonds. Three of these electrons are used in forming strong covalent bonds with the adjacent atoms in the sheet. Covalent bonds are a type of chemical bond in which electrons are shared between atoms. The fourth electron is free to wander over the surface of the sheet making graphite an electrical conductor. The spacing between the sheets of carbon atoms is greater than the diameter of the individual atoms. Weak bonding forces called van der Waals forces hold the sheets together. Because these forces are weak, the sheets can easily slide past each other. The sliding of these sheets gives graphite its softness for writing and its lubricating properties.
In diamonds, each carbon atom is strongly bonded to four adjacent carbon atoms located at the apices of a tetrahedron (a three-sided pyramid). The four valence electrons of each carbon atom participate in the formation of very strong covalent bonds. These bonds have the same strength in all directions. This gives diamonds their great hardness. Since there are no free electrons to wander through the structure, diamonds are excellent insulators. The brilliance and "fire" of cut diamonds is due to a very high index of refraction (2.42) and the strong dispersion of light; properties which are related to the structure of diamonds.
Mineral NameGraphiteDiamond
Models
(Click images to enlarge)
Graphite Model

Diamond Model
Crystal SystemHexagonalIsometric
Crystal ClassGraphite crystal classDiamond crystal class
Space GroupC63/mmcFd3m
NameFrom the Greek graphos, to writeCorruption of the Greek word adamas, the invincible

HISTORY OF DIAMONDS


From myths about valleys of diamonds protected by snakes, to the production of millions of carats in rough diamonds each year, the history of diamonds is one of mystical power, beauty and commercial expertise.
Early History
The first recorded history of the diamond dates back some 3,000 years to India, where it is likely that diamonds were first valued for their ability to refract light. In those days, the diamond was used in two ways-for decorative purposes, and as a talisman to ward off evil or provide protection in battle. 
The Dark Ages
The diamond was also used for some time as medical aid. One anecdote, written during the Dark Ages by St Hildegarde, relates how a diamond held in the hand while making a sign of the cross would heal wounds and cure illnesses. Diamonds were also ingested in the hope of curing sickness. During the early Middle Ages, Pope Clement unsuccessfully used this treatment in a bid to aid his recovery.

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The Middle Ages
During the Middle Ages more attention was paid to the worth of diamonds, rather than the mystical powers surrounding them. Due to the heightened public awareness of the value of diamonds, mine owners perpetuated myths that diamonds were poisonous. This was to prevent the mineworkers swallowing the diamonds in an attempt to smuggle them out of the mines.

The popularity of diamonds surged during the Middle Ages, with the discovery of many large and famous stones in India, such as the Koh-I-Noor and the Blue Hope. Today India maintains the foremost diamond polishing industry in the world.
As the Indian diamond supply dwindled, smaller finds occurred in Borneo and Brazil, but these were not sufficient to meet the ever-increasing demand for diamonds. The mid-nineteenth century discovery of diamonds near the Orange River in South Africa sparked the world's biggest diamond rush, and helped to satiate the world's increasing appetite for diamonds.
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Recent Times
During the mid-nineteenth century, diamonds were also being discovered in eastern Australia. However, it was not until late 1970's, after seven years of earnest searching, that Australia's alleged potential as a diamond producer was validated. 
On October 2nd 1979, geologists found the Argyle pipe near Lake Argyle: the richest diamond deposit in the world. Since then, Argyle has become the world's largest volume producer of diamonds, and alone is responsible for producing over a third of the world's diamonds every year.
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Friday, October 28, 2011

Dr.M.K.Mani


Dr M K Mani, pioneer of nephrology in India and currently chief nephrologist at the Apollo Hospital was on 20 October 2011 declared the winner of the 40th Dhanvantari Award. Mani pioneered innovative techniques and new regimen in management of kidney disorders.

He is the recipient of many awards including Padma Bhushan and the Ravindranath Tagore award and has over 125 publications to his credit. He was awarded honorary Doctorate of Science from several universities. Mani became well-known after he gave a fresh lease of life to Jairakash Narayan, who was suffering from kidney ailment.

The prestigious award, which recognises contribution in medical science, is being awarded annually since 1972. The other recipients include Dr Denton A Cooley from Houston and pioneer heart transplant surgeon Dr Christian Bernard from South Africa.
Lord Dhanwantri

Thursday, October 27, 2011

Significance of Diwali.




Deepavali has much significance; from Ramayana we get the return of faith & goodwill after the absence for a period of time. Narkasura’s story gives us the significance of victory of good over evil & the removal of the spiritual darkness. The lights/lamps also signify victory of good over the evil within every human being. 


A wonderful significant spiritual meaning of Deepavali is the awareness of the Inner Light in a human being. A very central feature in the Hindu Philosophy is the existence of the Atma, which is a pure, infinite & eternal part of any human; it has no death or birth, & can never die. Deepavali is the celebration of this Inner Light is us, which has the power to outshine all inner & outer darkness like obstacles, ignorance, & awakens the individual person to their true spiritual nature. 


With the realisation of a human that he is part of an unchanging, universal, infinite, pure, & transcendental truth, he achieves universal compassion, unconditional love, & the awareness that everything is connected. This brings a joy, peace or happiness which nothing else can. 


The custom of lighting diyas, signify a welcome to prosperity in the form of Lakshmi, and the fireworks are supposed to scare away evil spirits. 


Yes it was a festival started by Hindus, yes Jains, Sikhs, & even Buddhists (in Nepal), who were all part of Hinduism before they changed into different religions, celebrate Deepavali. 


But it is also true that many people in India celebrate Deepavali regardless of their faith or religion. There is no bar on who can celebrate Deepavali. People from any religion, caste, creed, age & gender can celebrate it, because it has more of a spiritual meaning than a religious meaning, & for most people, including Hindus, today it has more spiritual significance. 


So whether you are Christian, Muslim, Orthodox, Jewish, Parsi, or anything, you are free to celebrate this great festival, thereby celebrating the inner you. There is no rule that you have to pray or worship a Hindu god or goddess, you can pray or worship your own god. But do light the lamp of brightness inside yourself. 


Wednesday, October 26, 2011

Temples for Pandavas.

Pancha Pandava Temples


Pancha Pandava Temples are five Mahavishnu temples consecrated by the Pandavas

Route Map for Pancha Pandava Temples

Pancha Pandava Temples are five Mahavishnu temples consecrated by the Pandavas
It is believed that witnessing the poojas and praying in all the five temples on stilpulated times on the same day is very auspicious.




Pandavas



Image of Pandavas
 
 
Pandavas are described in the Indian epic ‘Mahabharatha’. Pandavas includes five brothers Yudhishtira, Bhima, Arjuna, Nakula and Sahadeva. They are the sons of ‘Pandu’, by his two wives, ’Kunthi’ and ‘Madhri’. The word ‘Pandavas’ means the sons of ‘Pandu’. Yudhishtira, Bhima and Arjuna are the sons of Kunthi. Remaining are the sons of Madhri. It is described in Mahabharatha, that five brothers were married to ‘Draupathi’, a true Krishna devotee. Lord Krishna was closely related to Pandavas during Kurukshethra war by giving advices and help at right times. Friendship of Lord Krishna and Lord Arjuna is well known in that epic. Pandu has a brother named Dridhrashtra, who was blind by birth. The main enemies of Pandavas were Kauravas. Kauravas were 100 in numbers, the sons of Dridhrashtra . After the death of Pandu, Pandavas and Kauravas started quarrel for the kingdom. The kingdom was supposed to handover to Yudhishtira, the eldest son of Pandu. But Duryodhana, the eldest son of Kauravas did not like it and often trouble the Pandavas. Kauravas played dirty game against Pandavas and succeeded of pushing them away from the country. The battle of Kurukshethra was happened dispute of the kingdom.
Yudhishtira is the begotten son of ‘Yamadharma’ and known as Dharma puthra. Arjuna is the son of Indra. Bhima is the son of Pavanan. And Nakul and Sahadev are the sons of Aswini Kumars.
 

Tuesday, October 25, 2011

17 Facts about the feet


Yusuf M thegreatyusuf@gmail.com via yahoogroups.com to bcc: worldmalayalic.
show details 9:23 AM (21 hours ago)

Old city of Hyderabad

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Monday, October 24, 2011

Raja Ravi Varma



Raja Ravi Varma, Great artist of Kerala

Raja Ravi Varma (1848-1906) - A Prince Among Painters and A Painter Among Princes


Raja Ravi Varma (1848-1906) was born in Kilimanoor Palace as the son of Umamba Thampuratti and Ezhumavil Neelakandan Bhattathiripad. At the age of seven years he started drawing on the palace walls using charcoal. His uncle Raja Raja Varma noticed the talent of the child and gave preliminary lessons on painting. At the age of 14, Ayilyam Thirunal Maharaja took him to Travancore Palace and he was taught water painting by the palace painter Rama Swamy Naidu. After 3 years Theodor Jenson, a British painter taught him oil painting.Most of his oil paintings are based on Hindu epic stories and characters. In 1873 he won the First Prize at the Madras Painting Exhibition. He became a world famous Indian painter after winning in 1873 Vienna Exhibition.
Many of his oil paintings are classic and his unique Indian style has later influenced artists and designers worldwide. Here we have displayed pictures of some of the classic oil paintings and oleographs of Raja Ravi Varma.
Raja Ravi Varma

Oil Paintings of Raja Ravi Varma
Following are some of the oil paintings of Raja Ravi Varma.

1. The Milkmaid2. The Maharashtrian Lady3. The Suckling Child4. Expectation5. Pleasing6. Sakunthala7. Sri Krishna as Envoy8. Yesoda With Krishna9. Jatayu Vadha10. Syrendri
11. Harischandra In Distress12. Sakunthala13. Sri Rama Vanquishing The Sea14. Galaxy of Musicians15. There Comes Papa16. Lady In The Moon Light17. Mother And Child18. Sri Krishna Liberating His Parents19. Sakunthala Pathralekhan20. Lady With Veena
21. In Contemplation22. Lady In Her Dressing Room23. Lady With Swarbat24. Hamsa Damayanthi25. Swan Messenger26. Prem Patra27. Lady in Prison28. Gypsies29. Jatayu Vadham30. A Portrait
31. Malayalee Lady32. A Portrait33. Mrs. Ramanadha Rao34. Alms35. Droupathi and Simhika36. Lady with Flower Garland37. A Portrait38. Santhanu and Matsyagandhi39. Ammakovil Thampuran40. Radha and Madhava
41. Bharani Thirunal Rani Parvathi Bayi42. Sri Rama Breaking the Bow43. Droupathi in Virata's Palace44. Mohini and Rugmangada45. Puddukotta Durbar46. Victory of Meghanada47. Birth of Sakunthala48. Lady Going for Pooja49. Krishna Drishta50. Historic Meeting
51. Sakuntala52. Bhishma Oath53. Maharashtrian Beauty54. Saraswathi55. Vishwamitra and Menaka56. Kadambari57. The Lady with a Mirror58. Lakshmi59. The Miser60. Lady at Ball Game
61. Goddess Durga62. Arjuna and Subhadra63. Kamsa Maya64. Birth of Krishna65. Shantanu and Ganga66. Maharaja Moolam Thirunal67. Yasoda Adorning Krishna68. Looking into the Mirror69. Keechaka and Sairandhri70. Nala and Damayanthi
71. Lady Giving Alms72. Rai Pannalal Mehta73. Menaka and Sakunthala74. A Student75. Malabar Lady76. Prince Fateh Singh Rao77. Fresh from Bath78. Radha Waiting for Krishna79. Maharani Chimanbai80. Bharata
81. Nobleman from Central India82. Ladies in the Moonlight83. At the Bath84. Princess Tharabai85. Yasodha and Krishna86. Maharaja Sayaji Rao87. Lady on the Bridge88. Sir T. Madhava Rao89. Lady Juggler90. Maharaja Fateh Singh
91. Sleeping Beauty92. Damayanthi93. Lord Govindadas Krishnadas94. Woman with Veena95. Lady Resting on the Pillow96. Lady Playing the Veena97. Maharani Chimanbai98. Lady Holding a Fruit99. Stolen Interview100. Reclining Woman
101. Sairandhri102. Damayanthi Vanavas103. Lord Ampthill104. Decking the Bride105. The Reaper106. Maharana Prathap Singh107. Reverie108. Disappointing News109. Introducing Radha to Krishna110. Sreerama Crossing Sarayu River
111. Portrait of Gentleman112. Maharana Amar Singh113. Harischandra and Tharamathi114. Judith115. Maharana Jai Singh116. Sita taken by Goddess Earth117. Thara Varini118. Young Woman119. Maharana Raj Singh120. Portrait of a Lady
121. Sri Krishna as Envoy - 2122. Sreerama meets Seetha123. Royal Aunt124. Thanjavore Madhava Rao125. Lady in the Moon Light - 2126. Persian Damsel127. Colonel W.D. Bordie Ketchen128. Goddess Saraswathi - 2129. Bharatanatyam (Dance Pose)130. Shakunthala writing Letter
131. A Girl Holding Hookah and Broom132. Dambadas Ramachandra Thondaiman Bahadur133. Malayalee Lady134. Rajput Soldier135. Kerala Varma Valiya Koil Thampuran136. Sairandhri137. H.B. Grig Esq.138. Horses139. Lady near the Wall140. Princess Putla Raje


Oleographs of Raja Ravi Varma
Following are some of the oleographs of Raja Ravi Varma.

1. Saraswathi2. Hamsa Damayanthi3. Lakshmi4. Sakunthala Pathralekhan5. Keechaka and Sairandhri6. Damayanthi Vanavas7. Ganga Vatram8. Shantanu and Matsyagandhi9. Vishwamitra and Menaka10. Vasantika
11. Usha's Dream12. Hamsa Damayanthi13. Vasanthasena14. Mohini15. Urvashi and Purooravas16. Lady Giving Alms17. Shivaji Maharaj18. Radha and Sakhi19. Birth of Sakunthala20. Sakunthala and Sakhis


Lithographic Prints from Ravi Varma Press
Following are some of the lithographic prints originated from Ravi Varma Press.

1. Bharat Milap2. Riddhi Siddhi Ganapathi3. Sreerama Durbar4. Shankar5. Mahishasura Mardini6. Dhruv Narayanan7. Seshasayi8. Panchdev9. Vanavasi Ram10. Dattatreya